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  4. 2007

Previous

Past exhibitions: 2017

Robert Gober

Work 1976–2007
12 May – 14 October 2007

Some forty sculptures, five large-scale installations and several groups of drawings are on view in the most extensive exhibition so far dedicated to Robert Gober in 2007.

I seem to be interested in things that connote a type of transition.
Robert Gober


With approximately 40 sculptures, five large-scale installations, and several groups of drawings, it is the largest exhibition of Gober’s work to date. For this exhibition in Schaulager great care has been taken to reconstruct installations – some for the first time since they were created – and assemble a large number of works, the earliest of which are scarcely known at all and the most recent of which have never been exhibited before.

Over a period of three decades, Gober has developed an oeuvre that is fascinating for its mixture of the familiar and the strange. Whether independent sculptures or entire rooms, all of Gober’s works are made up of familiar elements, and in their form and constellations they have a disquieting and frequently distressing effect. Childhood, sexuality, religion, discrimination and power are themes that have always preoccupied Gober and for which he has developed his own unique pictorial language. These are all old themes that have emerged from time immemorial in social communities, both private and public, and here they are narrated from the perspective of the 1980s and 1990s and the first years of the twenty-first century, against the backdrop of a nation that had once sought to become a centre of Western culture.

Gober’s visual world unfolds from everyday domestic life, personal history and collective common knowledge. His creative career began with drawings of interiors and constructions of miniature houses, which were soon superseded by sculptures depicting everyday objects. These are replicas that are meticulously created from scratch. The sculptures that result are deceptively similar to the original but also radiate an uncanny autonomy that tells us that they are not what they pretend to be. They inhabit a space between reality and dream in which the clear meaning of things breaks up and becomes an open flux.

The intertwining of individual sculptures and installations, interrupted occasionally by a group of drawings, makes it possible to experience the formal and thematic density and rigour that Gober has developed over the years into a powerful panorama. The most recent works give a sense of the rich variety and confident mastery with which Gober is continuing to extend that panorama.

Robert Gober (born in Wallingford in 1954) lives and works in New York. His sculptures are hand made replicas of such everyday objects as sinks, doors or beds. Their unsettling effect lies in the familiar being made to appear strange. He also creates wax casts of body parts, which he combines with other objects to fill entire rooms with panoramas that verge on the surreal in complex installations. In 2014 he was honoured with a retrospective at the Museum of Modern Art in New York.


Catalogue raisonné

This book is the first complete presentation of Robert Gober’s sculptures and installations from 1979 to 2007. Approximately 250 pieces are catalogued with full-page illustrations, technical details and information on how they were created, as well as work-specific comments by the artist. The book also contains an introductory essay by Elisabeth Sussman, curator at the Whitney Museum of American Art in New York.


Robert Gober
Sculptures and Installations 1979–2007
Catalogue raisonné, edited by Theodora Vischer

With a text contributed by Elisabeth Sussman

520 pages, 23.5 × 29.5 cm, 595 illustrations, hardcover with dust jacket
The publication is available in English and German
1st edition 2007


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