Noam M. Elcott is Associate Professor for the history of modern art at Columbia. Elcott is the author of the award-winning book Artificial Darkness: An Obscure History of Modern Art and Media (2016), as well as essays on art and media from the 19th century to the present, published in leading journals, anthologies, and exhibition catalogues, including monographic essays on Anthony McCall, Stan Douglas, Vera Lutter, Walead Beshty, Jean Epstein, Kia LaBeija, James Welling, the London Film-Makers' Co-op, and others. He co-directed The August Sander Project (MoMA/Columbia, 2016-2021), co-edited a special issue of Grey Room on “Art Beyond Copyright” (2024), and is a principal investigator of the Data Science Institute grant on “Art Images and AI: Latent Space Interpretability, Art History, and the Law.” His current book projects are The Social Status Portrait: August Sander’s People of the Twentieth Century and Art™: A History of Modern Art, Authenticity, and Trademarks.