In this module, we focus on selected works by Dieter Roth from the collection of the Emanuel Hoffmann Foundation. Among them are the poetically aging chocolate object Das Meer, 1. Teil [The Sea, Part 1], the strikingly timeless video installation Solo Szenen [Solo Scenes], the waste-recycling work Ringgebilde [Ring Form], as well as graphic works, drawings, and artist’s books such as Mundunculum.
Together, we explore how Dieter Roth, working from within the very process of becoming, experiments with relentless energy and curiosity with new forms of expression and artistic procedures: dissolving, fragmenting, allowing decay, opening up boundaries, hybridizing, mixing, combining, varying, layering, smearing, destabilizing, and much more. Art as an open-ended process—emerging from the realities of everyday life.

Dieter Roth, Solo Szenen, 1997–1998, 128 video monitors with players, 3 wooden racks, 128 VHS video tapes, 2 shelves, approx. 1200 x 210 x 45 cm overall, Emanuel Hoffmann Foundation, gift of the president 2023, on permanent loan to the Öffentliche Kunstsammlung Basel, photo: Tom Bisig, Basel, © Dieter Roth Estate

Dieter Roth, Zeichnung, c. 1957, red and black ink on architect’s blueprint, 70 x 69.8 cm, Emanuel Hoffmann Foundation, gift of Franz Eggenschwiler 1971, on permanent loan to the Öffentliche Kunstsammlung Basel, photo: Bisig & Bayer, Basel, © Dieter Roth Estate

