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    Bookstore

    Since 2003, over 20 publications have appeared in connection with exhibitions and events at Schaulager. The range of publications, mainly in German and English, includes comprehensive and lavishly illustrated exhibition catalogues, artists' books, meticulously researched catalogues raisonnés, collections of texts and records of symposia held at Schaulager. The books are conceived and realised by the publications department in close collaboration with the artists concerned, and appear under the imprint of the Laurenz Foundation, Schaulager.

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    Steve McQueen, Bass

    Published by Laurenz Foundation, Schaulager Basel and Dia Art Foundation
    Design: Irma Boom, Amsterdam
    With an introduction by Donna De Salvo and contributions by Robert Fink, Paul Gilroy, Tsitsi Ella Jaji, John Keene, Katherine McKittrick, and Christina Sharpe
    Monolingual edition (English)
    60 double-page color photographs and 66 reference illustrations (color and b/w)
    Flatbook, 200 pages, 31.5 × 23 × 3.5 cm

    ISBN 978-0-944521-20-5

    Steve McQueen

    Bass

    Steve McQueen: Bass is the catalogue accompanying the eponymous, co-commissioned work by the renowned artist and filmmaker, which has been on view at Dia Beacon since May 2024 and will be on view at Schaulager starting June 2025.

    Six contributors by renowned experts from the fields of musicology, African-American cultural studies and Black Studies provide profound insights into McQueen's captivating work. Based on their respective expertise, Robert Fink, Paul Gilroy, Tsitsi Ella Jaji, John Keene, Katherine McKittrick and Christina Sharpe trace how Bass engage viewers both visually and viscerally. The essays are complemented by comprehensive installation photographs that offer an insightful view of Dia Beacon's lower-level exhibition space. Artist's book, exhibition catalogue and reader at the same time, the publication explores McQueen's investigation of light, color, and sound that prompts discovery of neglected Black histories.

    Further information


      CHF 49.00
      Plus shipping costs

      EN


      Tacita Dean, Antigone

      Published by Laurenz Foundation, Schaulager Basel.
      Texts by Tacita Dean and Anne Carson et al., with an afterword by Maja Oeri

      124 pages, 310 x 215 mm; over 100 color illustrations
      Loose insert with facsimile reprint of a page from The Guardian
      The publication is available in English and German
      First edition 2021

      ISBN 978-3-906315-13-3
      ISBN 978-3-906315-14-0

      Tacita Dean

      Antigone

      The hour-long 35mm anamorphic film Antigone (2018) is the most complex work to date by British-European artist Tacita Dean. The name of this work combines the artist's personal history with the mythological world order: Antigone is the heroine in the eponymous drama by the Greek poet Sophocles. But Antigone is also the name of Tacita Dean's older sister. The name creates a double bond full of ambivalences and is the reason for Dean's exploration of the character.

      The leitmotif of the work is blindness. Antigone revolves around fundamental questions of foresight and destiny, seeing and not seeing, and metaphorical blindness as a necessity for artistic work. Dean found the ally for her ambitious project in her medium: for the film she reached deep into the bag of tricks from the early days of cinema, when it was still considered futuristic and enchanted the audience with illusions. To do this, she brought techniques such as masking and multiple exposures out of the sleep of oblivion and adapted them to her specific ideas. Dean left the "seeing part" to the camera, that magical one-eyed box, sending herself into the unpredictable. Antigone is a thoroughly analogue work: Dean assembled the film images, which appear like collages, with and inside the camera using sophisticated stencils and multiple exposures. The result of this experimental project is both a pioneering achievement and a masterpiece.

      The Laurenz Foundation also "blindly" got involved in the venture and has accompanied the film from the very beginning. The narrative of the making and impact of this work is illustrated in the book by means of numerous images - production shots, still photographs, drawings by the artist, etc. - and texts. In an essay, Dean recounts her fascination with the name and the character. The transcript of the words spoken in the film complements the artist's book. Antigone belongs to the collection of the Emanuel Hoffmann Foundation and is presented for the first time in Switzerland at Kunstmuseum Basel | Gegenwart.


        CHF 49.00
        Plus shipping costs

        German

        English


        Peter Fischli & David Weiss, Plötzlich diese Übersicht

        Published by the Laurenz Foundation,
        Schaulager Basel
        394 pages + 1.20 m fanfold, 18 × 27 cm
        Over 900 coloured illustrations, hardcover
        The publication is available in English and German
        1st edition 2015

        ISBN 978-3-906315-02-7
        ISBN 978-3-906315-03-4

        Peter Fischli & David Weiss

        Plötzlich diese Übersicht

        «Plötzlich diese Übersicht» by the Swiss artists Peter Fischli (b. 1952) and David Weiss (1946–2012), a loose collection of over 350 hand-sculpted, unfired clay figures, is one of those artworks that is very familiar even to those who are not all that interested in art. The artists have created a masterpiece, using an entirely unspectacular material to form sculptural snapshots that sparkle with cheerful wit: sketched models of everyday situations and objects; clay reproductions that reveal the absurdity and artificial normality of the ordinary. Alongside them are semi-freely imagined scenes and events from history, culture, entertainment, sport and assorted memories from their own biographies, immortalised in emblematic scenarios. The titles, with their characteristic subtle mockery, fragmentary encyclopaedic knowledge and serious irony, are an integral part of the work. The art book gives an overview of the “Overview”; moreover, the superb illustrations reveal the sculptural aspect of this multipartite work, begun in 1981, the quality and continued relevance of which goes beyond the sly humour of language and creative skill.


          CHF 59.00
          Plus shipping costs

          German

          English


          Paul Chan, New New Testament

          Artist’s book, published by the Laurenz Foundation, Schaulager Basel, and Badlands Unlimited, New York With an essay by Sven Lütticken
          1092 pages,
          17.8 × 26.7 cm, 1005 coloured illustrations, hardcover
          Texts in German and English
          1st edition 2014

          ISBN 978-3-9523971-5-2

          Paul Chan

          New New Testament

          Two Awards
          The Most Beautiful Swiss Books of 2014
          Best Book Design from all over the World 2015

          Schaulager is proud and delighted that the artist’s book by Paul Chan "New New Testament" published by the Laurenz Foundation was recently honoured with two prestigious awards. The Swiss Federal Office of Culture (FOC) named Chan's "New New Testament" as one of the most beautiful Swiss books of 2014. In the international competition "Best Book Design from all over the World" in Leipzig, the Stiftung Buchkunst recognised the book with a bronze medal.

          Over 1000 pages long, this comprehensive, elaborately bound artist’s book documents “Volumes”, Paul Chan’s work consisting of 1005 book covers, a selection of which was exhibited at documenta 13 in 2012, and which now belongs to the Emanuel Hoffmann Foundation’s collection. In 2014, it was shown in its entirety for the first time as part of the exhibition “Paul Chan – Selected Works.” For each book, Paul Chan removed the book block from the cover and then individually overpainted it. For “New New Testament”, Chan has written texts, which are juxtaposed with the individual picture pages. These texts draw on a wide spectrum of writings, from the philosophical, art theoretical, and the literary to the trivial, and the artist has also interwoven them with playfully ironic character sets. Deciphering these beautiful and enigmatic texts is a particular delight.


            CHF 219.00
            Plus shipping costs

            German/English


            Matthew Barney, Drawing Restraint Volume VI

            Artist’s book, designed by Matthew Barney, Keith Riley and Jerry Kelly
            146 pages, 17.8 × 24.7 cm, 93 illustrations
            Hardcover bound in Japanese cloth, with a debossed panel and full print on front cover, the spine is stamped in silver 2010, limited edition of 1000 copies
            Special edition: 100 copies, signed by the artist

            ISBN 978-3-9524320-2-0
            ISBN 978-3-9524320-3-7

            Matthew Barney

            Drawing Restraint Volume VI

            Created by Matthew Barney, “Drawing Restraint Volume VI” is a chronological sequence of images narrating the dramatic contents of the film “Drawing Restraint 17”, a coproduction between the artist and Schaulager. The film was produced as part of the exhibition “Matthew Barney. Prayer Sheet with the Wound and the Nail”, staged at Schaulager Basel in 2010. The story is a contemporary allegory inspired by the painting “Death and the Woman” by the Renaissance artist Hans Baldung (known as Grien), in which a young woman travels from the Goetheanum in Dornach to Schaulager, where she ultimately meets her death. The conflict between obstruction and conquest set out in the “Drawing Restraint” series also underlies the film’s plot and its artistic interpretation. The sequence of images is choreographed by sheets of handmade Lama Li paper inserted into the book, some of which have been individually hand-torn. This natural variation makes each book unique.


              CHF 199.00 German/English / CHF 420.00 Signed edition
              Plus shipping costs

              German/English

              Signed edition


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